Part of my job revolves around me staring at pictures taken from an airplane, finding things wrong with those pictures, and fixing them if necessary and/or possible. This summer has found me doing that more often than I usually do. It goes without saying that I have a lot of time to listen to my iPod. I usually start out the day by listening to Dave Dameshek's podcast. From there, I had been listening to books on tape (I've gone through a few books this summer).
However, recently I have decided to listen to a ton of albums that I have on my iPod, but have not yet listened to. This will be a way to let you know what I thought of these albums.
I have not given a ton of thought to these albums. Normally, I'll listen to an album at least 3 times before writing about it. What you will be getting here are my initial thoughts (which are, of course, subject to change the more I listen to the album).
Michael J. Sheehy and The Hired Mourners - With These Hands (The Rise and Fall of Francis Delaney)
I have only recently heard of this guy. He released a song in 2002 called "Twisted Little Man" which was used at the end of a Deadwood episode. It's a slow, folkish song with some nice atmospherics in the background. It reminded me a lot of LN.
This album doesn't sound like that. It's a concept album follows the career of a boxer (Francis "Frankie" Delaney). In the span of the album, we see him as a young child, we see him throw a fight, and we see him develop brain damage as a result of his career.
There are some tender moments ("Frankie My Darling" being the most obvious), some heartbreaking moments ("When Did We Grow So Old?"), some violent moments ("Fight for Your Right to Fight"), and some bizarre moments ("Ain't a White Boy Alive" and "The Gospel According to Marcelus J. Mudd"). There are times when he comes across as a Tom Waits imitator, which is a little distracting. There's not an overriding musical style to the album, which was kind of hard to get used to, but, in thinking about it now, makes sense within the concept of the album.
Some of the lyrics seem a big clumsy, and there are a couple of songs that I'm not crazy about. But, overall, I think it was a good album. When I was listening to it, I wasn't sure if I liked it. Looking back at it now, I think I did. I'll have to give it a couple more listens before I know for sure, I guess.
Favorite Song: "Fight for Your Right to Fight"
Jet - Shaka Rock
It is what it is. I expected a fairly generic rock album with terrible lyrics. I got exactly what I expected. It wasn't great, but it wasn't overly terrible either. It was just very forgettable. There are other bands that do this same thing, but those bands do it better (The Obits come to mind).
Favorite Song: "Start the Show"? Maybe. I honestly can't distinguish one song from another, but I think "Start the Show" had a cool guitar riff.
Richmond Fontaine - We Used to Think the Freeway Sounded Like a River
I enjoyed a couple of tracks off their 2005 album (The Fitzgerald) and sort of enjoyed their last album (Thirteen Cities), so I had to give this one a shot. I can't say that I liked this album any more or any less than those albums. It's pretty much the same. A couple of pretty good tracks (I hated "A Letter to the Patron Saint of Nurses" when it started, but, by the end, I found that I really liked it), but, overall, it was just sort of boring. The lead singer has an interesting voice (sometimes singing, sometimes talking, always sort of deep), but it doesn't always sound great.
Not a terrible album, but there's not a whole lot that stands out.
Favorite Song: "A Letter to the Patron Saint of Nurses"
Janelle Monae - Metropolis: The Chase Suite
This album sounds like some sort of future blend of Gnarls Barkley and Andre 3000. Strange, but extremely catchy. The album is short (7 tracks), but it makes for an interesting listen. The last track (a version of Nat King Cole's classic "Smile") is pretty boring, which is a shame. There's not much going on in the song, but her voice is so good that I feel she could've done something interesting with it.
I wasn't a huge fan of "Mr. President", either. It just didn't grab me, and the lyrics didn't seem to have much thought put into them.
The first track is an intro, leaving only 4 tracks that I enjoyed...but I enjoyed them quite a bit. This was her first album, and I'm really looking forward to what she will do from here. Definitely worth a listen.
Favorite Song: "Sincerely, Jane"
Patton Oswalt - My Weakness is Strong
This isn't a music CD, but I listened to it, so it's on this list. After listening to his first album (Feelin' Kinda Patton), he quickly became one of my favorite stand-up comedians. His second album (Werewolves and Lollipops) further cemented his place in my mind. With this new album, he has now become, without a doubt, my favorite living comedian (it's going to be hard to take Mitch Hedberg's place as favorite comedian of all-time). This may be my favorite album of his, which is no small feat. If you're a fan of stand-up comedy, you should really listen to this album.
Kate York - For You
Chick-folk. It's not bad, but there's not much to differentiate her from all the other artists with this exact same sound. Her music is fine, but nothing too extraordinary. I like her voice, but it's nothing too special. Perhaps I'll feel different on repeated listens, but, after this first one, there's nothing to make me either love it or hate it.
Favorite Song: "Afterglow"
Imogen Heap - Ellipse
I don't really understand all the hype around Imogen Heap. She was in Frou Frou, who had a song featured on Garden State. It was a decent song, I suppose, but I couldn't understand why everyone loved it. Then she put out a solo album (Speak for Yourself) which had a song ("Hide and Seek") that got played on The O.C. I listened to Frou Frou's Details. I listened to Speak for Yourself. At no point did I think to myself, "Hey...this girl is really amazing." Her voice is pretty good, and it fits her style of music really well. But all the songs kind of sound the same. They sound good at first, but, once you hit track 3, it just sounds boring.
After hearing the first track on Ellipse ("First Train Home"), I was pretty excited. "This song is good," I thought to myself. "Maybe she's changed. Maybe this album will be amazing."
Track two rolled around. Not bad...but not as good as the first one. Track three was a little worse then track two. I listened to the rest of the album with increasing boredom and annoyance. I was hoping this album would be different. I thought I would stay invested the entire way through. No dice. The closing song ("Half Life") was pretty good, but all of the songs between the first and last track kind of blend together in one big heap of disinterest. I'll listen to this album more, in the hope that the songs will begin to take on a life of their own, and will distinguish themselves from the others. It's a hope that will probably be dashed on the rocks of disappointment, but it's a hope all the same.
Favorite Song: "First Train Home"
Dan Deacon - Bromst
I had heard a lot of good things about this album, but I held off listening to it because I saw a picture of Mr. Deacon, got annoyed with him, and never had a desire to listen to the album (shallow, I know, but I couldn't help it. Just look at him and tell me he doesn't annoy you).
Finally, I got over my annoyance with his face and decided to listen to the album. Much to my surprise, I thoroughly enjoyed the first track ("Build Voice"). It's a slow building track with lots of samples and electro-glitches and whatnot. When the song finally breaks open, it's a glorious sound. Saxophones and pianos and cymbals and all matter of other noises join in a chorus. I knew he dwelled in the electro genre, but, with all the variations within, I wasn't sure what his exact sound would be. Perhaps I was wrong about ol' Dan Deacon.
As it turns out...no...I wasn't wrong about Dan Deacon. The rest of the album is comprised of a lot of songs featuring high-pitched vocal samples and run waaaay too long (7 of the 11 tracks are over 5 minutes, with 3 of those clocking in at more than 7 minutes). If the songs were trimmed down a little, I may have liked this album more. As it was, the only song other than "Build Voice" that I enjoyed was "Snookered"...but even that track runs too long (over 8 minutes). Like the rest of the album, "Snookered" is a good concept, but he takes that concept and repeats it until it's annoying. Someone needs to tell those within this genre that it's okay to have songs that last less than 4 minutes (only one of those songs resides on this album).
This album started out promising, but took a dive in a hurry. As with some of these other albums, perhaps this one gets better with repeated listens. I'm not sure I'm up to the task on this one.
Favorite Song: "Build Voice"
BLK JKS - After Robots
I heard this band touted as "an African TV on the Radio". I suppose I can see where they get that description from. They take a number of different musical styles, mash them together, and play the result. It's an interesting combination. Unfortunately, it does not work all the time.
The lead singer will hit a falsetto from time to time. Sometimes it works. Sometimes it doesn't. The guitar solos often sound like something taken from an 80s hair rock band. Sometimes it works. Sometimes it doesn't.
And that's pretty much the album. There are a number of great moments, but there are other moments that seem like it's not quite working like it should. The album ends with the worst song on the album ("Tselane"). At the beginning, it seems like it could be good, but, by the end, it has devolved into a singing the same lyric over and over again in a not-quite-on-key falsetto. The music is pretty good, but the song lasts for six-and-a-half minutes...three minutes longer than it should. By the time the song ended, I was glad that it did.
This album shows a band with great promise. I'll continue to listen to this album from time to time, and I'll definitely look forward to their next album.
Favorite Song: "Molalatldi"